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- Question 1
2 out of 2 points
Why did Gabrieli organize his compositions around a single note-the tonic note?
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- Question 2
2 out of 2 points
Why was the division between the Council of Trent-rejected secular music and religious compositions less pronounced in Venice?
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- Question 3
0 out of 2 points
What is the meaning of the Portuguese term barroco, from which "Baroque" likely derived?
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- Question 4
0 out of 2 points
As reported in the chapter's "Continuity and Change" section, why did Louis XIV reject Bernini's design for a new façade for the Louvre?
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- Question 5
2 out of 2 points
Why is Vivaldi's The Four Seasons known as program music?
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- Question 6
2 out of 2 points
Why did Pope Urban VIII commission a baldachino (canopy) for Saint Peter's interior?
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- Question 7
2 out of 2 points
Why did Bernini decorate the baldachino's grooved columns with bronze vines?
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- Question 8
2 out of 2 points
Why did Bernini include theater boxes on each side his Cornaro Chapel sculptural program?
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- Question 9
2 out of 2 points
What effect does Caravaggio achieve with light in The Calling of Saint Matthew?
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- Question 10
0 out of 2 points
In his Cornaro Chapel sculptural program, with what did Bernini equate Saint Teresa's religious visions?
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- Question 11
2 out of 2 points
In Descent from the Cross, discussed in the chapter's "Continuity and Change" section, why does Rembrandt push his scene deeper into the canvas than does Rubens in his earlier painting of the same title?
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- Question 12
0 out of 2 points
Why can Rembrandt's late work Slaughtered Ox be viewed as optimistic?
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- Question 13
0 out of 2 points
Why in 1637 did the Dutch economy come close to collapse?
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